Warning: Creating default object from empty value in /home/customer/www/benjamincaro.com/public_html/wp-content/plugins/google-authorship-widget/google-authorship-widget.php on line 25
making cathedrals Archives - Benjamin Caro

Benjamin Caro

Archive
Tag "making cathedrals"

I promised an update when I was able to figure out who the copyright holders were for “Cathedral,” the Raymond Carver story I’m adapting into a short film. I am a man of my word.

In the vlog above, I describe the journey it took me to get there, from hunting through the U.S. copyright archives to asking New Media Rights. In the end, all it took was a Google search, and the word “estate.” I also talk about interviewing Greg Shane from CRE Outreach, an organization devoted to empowering blind people, for the Kickstarter video. He directs all the productions at Theater By the Blind, so he’s a great advocate for the blind and a huge asset to have in our corner.

Greg Shane of CRE Outreach

Greg Shane of CRE Outreach

My Letter about why this project should be allowed

It hasn’t been all roses, though. We still have to convince Tess Gallagher, Carver’s widow and executrix, to allow this film adaptation of his story. She was hesitant at first because of the departures from the original story, but I wrote the agency a letter:

This project is so important to me. Would it be possible to chat on the phone with her? I would really love to get tell her about all the great things we’re going to do to help blind and disabled artists with this adaptation, the fact that we have partnered with CRE Outreach to raise opportunities for the blind through Carver’s work, which I think is a wonderful thing. I’d love to tell her that by adding these departures, I’m incorporating elements of Carver’s story “Fat,” enriching the story not from any bastardization but by infusing Carver’s greater universe, as Robert Altman did with Short Cuts. I want to tell her about why this film will be talked about–not only because it’s a “Cathedral” adaptation, but because of some awesome and filmically experimental sound design, and because we are taking a risk by casting a blind person rather than going the easy route. Our production team has produced both The Hammer (2010) and The Championship Rounds (2013), movies that both starred deaf actors and brought a lot of interest on the film festival circuit, and attracted big names, because of it. We’re not using Carver’s name to get our movie out. We’re using our movie to get Carver’s name out, and hopefully introducing Carver’s work to a new legion of people who otherwise wouldn’t have read him, and would perhaps pick up a book or two because of it.

Tess Gallagher (right), a distinguished author herself, and Raymond Carver.

Tess Gallagher (right), a distinguished author herself, and Raymond Carver.

Tess is a writer, and I think that if I make a writer’s appeal to her, she’ll understand why the departures are a great way to incorporate Caver’s voice into film format, as many other adaptations failed to do. As we know, Carver is especially known for using narrators with strong voices and perspectives, and by framing the Cathedral story, we get to hear that voice, that unique perspective, coming from Phil as he tells Rita about what happened, just as the narrator does with the reader. For me, it’s important that when somebody Googles “Cathedral short film adaptation“, they don’t get a smattering of half-assed college assignments, as it stands now. It’s important to me that Birdman (which seemed to poke fun at him) doesn’t come to be the biggest Carver touchstone in this decade. It’s important for me to make something enduring that does Carver justice and represents him correctly, which is why it would be great to have Tess as a collaborator. I would love to listen to her concerns and make any changes to the script that she feels uncomfortable with.

I think we all want the same thing. Ms. Gallagher wants to honor his writing. The agency wants to honor his writing and grow his audience. And I want to honor his writing and grow his audience, all through raising awareness for a great cause: benefiting blind and disabled artists.

So there it is. There’s my appeal. Hopefully that strikes a chord in her and to anybody who wants to come on board! Please like the Facebook page to keep up to date with the latest developments.

Read More

cathedral

The Plan

My primary focus right now is preparing for the Cathedrals Kickstarter. And believe me, I’ve got big plans. This will be one of the most epic effective, crazy fairly normal Kickstarter videos of all time. We shot my portion of the video last week, but I’ve got a few more experts I want to talk to on camera in order to round out the “pitch.”

1. A Raymond Carver “expert” (or just a book editor) talking about the need for a modernized, truthful adaptation of his work, especially following Birdman, which kind of smeared him.

2. An advocate for the blind at an organization that works to support the blind or the disabled in the arts. I want to donate to an organization like this as part of the Kickstarter campaign. (e.g. “If you donate $50, we’ll donate an extra 10 on top of that to [Blind Advocacy Organization]”)

3. One of our producers, perhaps Eben Kostbar or Earl Bolden Jr., talking about why they wanted to jump on board and help make this thing a reality.

4. The blind actor who we cast.

I’m reaching out to organizations and experts for #1 and #2, but if anybody has any suggestions, I’d be happy to hear them!

img_4592.jpg

The Rewards

The second thing I’m diving into is planning for the rewards for donors. These are just in the planning stages, and I need your feedback! What looks interesting? Would any of these appeal to you? Please let me know in the comments what you think works, what looks like I vomited.

Kickstarter allows you to edit perks later, so we can experiment as the campaign progresses, but we might as well start with some cool rewards that get people excited in the first place. Here are some ideas, ordered generally from low donation/high supply to high donation/low supply.

1. access to the production diary
2. digital copy of original soundtrack
3. Twitter shout out from Sawhorse/Ben/actor
4. digital copy of film
5. Kickstarter thanks credit
6. we donate to [blind advocacy organization]
7. film poster
8. invitation to opening screening and afterparty
9. Instagram shout out from Ben
10. copy of first draft of screenplay
11. special thanks credit
12. Ben writes a poem about whatever you want
13. pages from script used on set, signed by actors
14. associate producer credit
15. visit to Sawhorse offices, meet and greet with producers
16. include a personal item or artwork in the film
17. join us on set
18. interview on “Making Cathedrals”
19. executive producer credit
20. include your name in the film
21. Ben changes his license plate to whatever they want

I’m pulling for #12, because I really want a reason to have to write poetry every night for the next 6 months straight. Let me know if you have anything you’d like to see! You can leave a comment on the Facebook page or YouTube vlog.

Big shoutout to Jason Ludke for letting us use his “Cathedral” artwork to promote the short film until we can create some original artwork for the project. Check out his website. He’s got a lot more calming Carver-related paintings that are pretty cool!

Read More

Today I launched a vlog about my journey to make the film. Why a vlog? Why bother? I explain a little more in the video, but it’s because I was reading Show Your Work by Austin Kleon (great little pick up from Barnes & Noble–even though B&N is pricey, there’s something to be said for things calling to you from the shelves), and realized that if I want people to be excited for the film… hell, if I want the film to even be made, it’s important to bring people into the experience of making it. Why wait until the DVD to throw in the extras? I want to bring you in on the journey. I’m overcoming the fear of sharing unfinished, unpolished stuff, and throwing it out there. Thanks Austin. Your $12 book is worth at least $12.50. Definitely more. I thought I’d start there.

I also talk a bit more about why we wanted to hire a blind actor for the film. Did you know that about 30% of blind people are below the poverty line? After learning more, it invigorated me to bring awareness to and provide more opportunities for the disabled in the arts (and yes, the greater workforce). I think that’s what’s incredible about independent film. Since the bottom line isn’t the dollar, we can work towards bringing about change rather than bringing in profit. By crowdsourcing (read: Kickstarter or Indiegogo), I’m hoping we can do a little part in making not only a good movie, but a little good, too.

Watch the rest above! Subscribe to my YouTube channel for updates on videos, and please like the Cathedrals Facebook page!

Read More